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How could graphics be designed for people who see with all senses ?

It’s an exploration of Braille ‘’typography’’, using different materials, their touch temperature and their context meaning, as a way of opening the emotional spectrum for Braille monotony.
 For example, wax is associated to love and passion, cloth and thread to homesickness or polished metal to luxury. Shapes can also improve Braille reading, bigger dots for ‘’bold’’ characters, angles for ‘’italic’’, or pointing shapes for expressing alertness.

2014 

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